Yemi Alade is back with “Minister of Enjoyment,” a solo Afrobeats record from the celebrated Nigerian singer amid another album cycle. The track stands as the only acknowledged singer on the record, centering on her own character rather than the guest-heavy approach seen elsewhere.
That solo choice gives the song a personality-led identity before the music even begins. The quirky title also sets a playful tone that runs through the whole performance. Because Yemi Alade carries the record alone, every line lands squarely on her.
However, the pace is the real story here. Its slower rhythmic base marks a conspicuous departure from the speedier material surrounding it on the larger project. While the tempo drops, the vocal delivery moves further into the foreground. So the song breathes without leaning on speed for its appeal.
That shift also widens the scope of a 16-song album built on varied Afrobeats tempos and collaboration styles. For an artist known for frenetic performances, holding back on the pacing is a treat.
“Minister of Enjoyment” is out now on major streaming providers. What did you make of Yemi Alade going solo on this one? Drop your reaction in the comment section.
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